Introduction
A passionate, self-taught artist from Toulouse, Jean-François Rousselot brings to life a vibrant universe where humour, hyperrealism, and imagination collide. Through his “FUNNY ART,” he blends nature, objects, and emotions in colourful and quirky scenes, inviting everyone to smile, dream, and reflect.
Portfolio
If you would like an overview of my work, to learn about my background, my artistic goals… download my portfolio.
Press kit
My Work
Jean François Rousselot
FUNNY ART, the Offbeat Art in Colours
Born in Toulouse in 1971, Jean-François Rousselot developed a burning passion for drawing at a very young age, an art that has never truly left him. Although he didn’t have the opportunity to pursue formal art studies, he honed his technique independently, immersing himself in pencil drawing from 1997 onwards.
Initially, still lifes came to life under his fingers, but his incisive eye and innate sense of offbeat humour quickly led him to breathe new life into his creations. It was then that he began to incorporate animals and other living elements into his compositions, transforming his canvases into unique and characterful scenes.
His artistic exploration then expanded to include colour, experimenting with pastels, documentary watercolour, and acrylics, before rediscovering a purity of expression in oil painting. Following participation in exhibitions, he was invited in 1999 to a successful solo show, confirming his talent. Life then led him down a rich and varied professional path—from graphic design to photography, including a stint in the building trades—taking him away from his brushes and pencils for a time, marking a true interruption in his artistic practice.
However, the call of art proved too strong. For the past few years, Jean-François Rousselot has dedicated himself fully to his true passion, resuming his dreams of becoming a painter. Today, he creates hyperrealistic works, vibrant with colour, life, and humour, which he calls FUNNY ART. Drawing inspiration from nature to paint everyday objects with remarkable precision and detail, he intertwines humans, plants, and animals to create scenes where surrealism is never far away. Plays of light and shadow, combined with this playful and quirky touch, create a welcoming atmosphere that invites escape and joy, whatever the themes explored.
In this unique imaginary universe, each canvas is an invitation to reflect on the vanity of the contemporary world, while offering the viewer the possibility of drawing from it a memory, an emotion, a personal meaning.
Listed in the AKOUN and DROUOT art price guides, Jean-François Rousselot is represented in several galleries, sharing his unique perspective on the world with contagious generosity and vitality. He is currently working to expand his presence on the international art scene, aiming to promote FUNNY ART beyond borders.
Auctions and Press
Auction
Live auction on Drouot.com
La linea – macarons
October 2024
Fundraising Gala TOEC/FCT RUGBY Toulouse
November 2025
Press release
Ma Maison bi-monthly Magazine
Jan/Feb 2023, Jan/Feb 2024
Grands Peintres&Sculpteurs Magazine
november 2025
Collaborations galeries
Find me in the following galleries:
- Galerie Sur les routes du Médocs à Montalivet (33)
- Galerie Maïlin Bruniquel à Sète (34)
- Galerie Nadine Granier à Albi (81)
- Galerie Amanni (en ligne) (31)
Artistwebsite :
Awards
Salon des arts de L’UNION (31)
Prix de la Mairie de L’UNION
2025
Salon des arts de GAILLAC (81)
1er prix PEINTURE A L’HUILE
2025
Luxembourg Art Prize 2024
Certificat de mérite
2024
ARToulous’Expo 2023
Prix du Public
2023
The Funny Art
Hyperrealism in the service of smile.
Welcome to the world of Funny Art, the artistic movement I created. My work is a vibrant celebration of life and joy, whose primary mission is to bring smiles and good cheer. Each canvas is designed to be an experience, inviting the viewer to question, because the true pleasure lies in discovering a detail that doesn’t seem to belong at first glance.
Style, technique and humour
My approach is based on a highly realistic technique, bordering on hyperrealism through meticulous attention to detail. Yet, this realism is consistently subverted by the integration of a touch of absurdity and surrealism. I use a palette of bright and vibrant colours, because colour is the direct expression of the joy and energy I wish to convey.
Favourite themes
My favourite subjects revolve around the animal world, revisited still lifes, or certain figures who have marked a contemporary era, such as the series on La Linea. The aim is to stage these subjects in a humorous and unconventional way to create a question and, ultimately, a smile.
Exhibitions
Find here my latest news, exhibitions, events, parties, press releases…
Mai 2025
UNION Arts Exhibition (31)
UNION Town Hall Prize
April 2025
GAILLAC Arts Fair (81)
1st prize for OIL PAINTING for the painting ‘qui se ressemble s’assemble’ (birds of a feather flock together)
From 1 March 2025
To 3 March 2025
From 27 October 2023
To 29 October 2023
CASTRES Exhibition
From 5 October 2023
To 20 October 2023
Art Colomiers Expo Fair (31)
Art Colomiers Expo will bring together around a hundred artists, painters, photographers and sculptors at the Hall Comminges, presenting over 300 works.
Each year, the artists’ constantly evolving work, rich in innovation and creativity, ensures the quality and richness of this exhibition, whose success is recognised throughout the Occitanie region and far beyond.
The exhibition will be open to the public from 15 to 20 May 2024.
Permanent exhibition
Gallery ‘On the roads of the Médoc’ MONTALIVET (33),
Permanent exhibition
From 28 April 2023
To 30 April 2023
Décember 2018
BESSIERES MEDIA LIBRARY (31)
Solo exhibition ‘Bird Faces’
Series created using pencils (dry to oil) from 8H to 8B (20/30cm drawing format).
The aim of this series was to catalogue birds with rather unusual heads, based on several years of research (from 2013 to 2017).
Beyond their beauty, I wanted to highlight all the visual flaws of these species, their peculiarities, their expressions.
This was a return to my roots for me, using pencils (from dry to greasy), which I had abandoned 20 years earlier with my first work, the BLUE MACAW, drawn in 1997.























































































